Dante the pilgrim and his rival/friend/fellow poet Forese Donati go on talking about suffering and the nature of the ascent up the mountain. In doing so, they must speak about Forese’s wife, Nella. Dante has previously insulted her in the sonnet rivalry. Now, she’s a heroic figure who nonetheless brings us back to the problem of stating the higher truths in the vernacular.
Read MoreDante and Forese, friends and poetic rivals, continue their conversation on the sixth terrace of Mount Purgatory among the emaciated, skeletal gluttons. Forese’s suffering is clear and present, which makes them both pause on the central crux of being human: how to interpret the pain we feel.
Read MoreDante the poet muddies his text with increasingly opaque literary references until finally the pilgrim encounters a fellow, contemporary vernacular poet, not someone associated with the high style, but instead Forese Donati, a guy known for his vulgar, funny, hip, and insulting sonnets.
Read MoreOur pilgrim is still marveling at the mystical tree on the sixth terrace of Mount Purgatory—he has to be goaded on by Virgil, his “more than father.” As they walk along the terrace, they’re soon overtaken by skeletal, cadaverous penitents who find that the pilgrim himself is a source of marvel.
Read MoreA read-through of Purgatorio, Cantos XXII, XXIII, and XXIV. A rough translation before we break it into smaller parts for deeper analysis. The ascent from the fifth terrace of avarice (and we learn, another sin) to the sixth terrace of gluttony: an arboretum with hollow, wasted souls purging their love of wine and food.
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