As the zealous slothful run on, two more come in the rear, biting the penitents with warnings about sloth. After they’re gone, the pilgrim can finally get some rest. He has a new thought—curiously undefined—which leads him into his second dream in PURGATORIO.
Read MoreAt last, the slothful penitents arrive . . . in a frenzied rush. The horde passes by the pilgrim and Virgil as one soul calls out his story. It speaks a brave truth about the family of a very powerful warlord . . . in fact, the very warlord who has hosted and guarded Dante on the run for years.
Read MoreVirgil has finished his reasoned discourses on love. The pilgrim and he still stand at the cusp of the fourth terrace of Purgatory. Night is coming on and the pilgrim is losing the will to climb on. But don’t go to sleep just yet. You may get run over by the Bacchic frenzy of the slothful.
Read MoreVirgil offers a third discourse on love to show his work and to get close to an understanding of ethics. In doing so, he reaches into Aristotle’s logic of causality and attempts to come to terms with why humans behave they do. But even as he reaches back, he looks forward to our modern understanding of ethics.
Read MoreVirgil has finished his second discourse on love, showing the syllogistic work behind his first discourse. But Virgil must not be too good at rhetoric, because the pilgrim Dante has yet more questions, including one that is fundamental to any religious thinking.
Read MoreAfter the pilgrim’s request that Virgil show his work, the old poet condenses and recasts the basis of thinking in Western culture from its roots in Aristotle. But Virgil’s claims run into specific problems, which Dante the poet tries to solve in the way he knows best: with metaphor.
Read MoreVirgil seems to have reached a conclusion to his discourse on love in PURGATORIO, Canto XVII. But not for the pilgrim. And maybe not for Dante the poet. As Canto XVIII opens, we find the pilgrim asking Virgil to show his work to explain his seemingly air-tight syllogisms about human ethics.
Read MoreDante and Virgil have reached the fourth terrace of Purgatory proper, the spot where the slothful race around to purge their sin. But before we see the runners, Virgil treats the pilgrim (and us) to the central discourse of COMEDY: all human actions are rooted in love. Here’s a read-through of PURGATORIO, Canto XVII, Line 73, to Canto XVIII, Line 145.
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