Beatrice develops a sub-point on the concept of free will that proves—at least if you accept the reasoning from Aristotle and Aquinas—that Piccarda and Constance were indeed guilty of breaking their vows, even if they didn’t want to break them. Wanting doesn’t overcome their actions.
Read MorePiccarda Donati turns from the cryptic ending of her personal story to introduce a second woman in the lunar landscape: Constance I of Sicily, mother of the Holy Roman Emperor Frederick II and grandmother of Manfred (PURGATORIO, Canto III). The canto then ends with as many questions as it answers.
Read MorePiccarda Donati has confessed her more humble position in the rotating heavens. Dante then wants to know why she doesn’t want more. Her answer leads her to the larger workings of the universe and an apotheosis of the will, as hers dissolves into the larger will that guides the universe.
Read More