Posts tagged The Earthly Paradise
PURGATORIO, Episode 221. The Abundance Of The Poet's Imagination In Eden: PURGATORIO, Canto XXVIII, Lines 109 - 133

The lady across the stream in Eden continues her answer to the pilgrim Dante’s questions about the breeze and the water. In so doing, she offers the botany of Eden and our world, an ecology of Eden, and even the hydrolics of the place, layering meaning over meaning until we enter a fully imagined landscape.

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PURGATORIO, Episode 220. The Breeze Of The Poem's Faith: PURGATORIO, Canto XXVIII, Lines 85 - 108

The lady in Eden has announced that she’s ready to answer the pilgrim Dante’s questions. And he’s got one. It’s just not perhaps the first question that would come to the reader’s mind. But it is a question that lets the poem justify its fiction by offering support from the poem itself to create the scientific fiction of wind on Purgatory . . . and faith in its pilgrim (as well as its reader).

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PURGATORIO, Episode 219. The Many Contraditions In Eden: PURGATORIO, Canto XXVIII, Lines 67 - 84

The lady in the forest comes near our pilgrim, Dante, as well as Virgil and Statius. The pilgrim clearly feels some sort of mad overreach in his attraction toward her . . . and maybe the poet, Dante, as well. She, instead, says she’s there to provide answers . . . except her presence and conversation raise more questions that even she can answer.

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PURGATORIO, Episode 218. The Darkening Poetry Around The Solitary Lady: PURGATORIO, Canto XXVIII, Lines 43 - 66

The pilgrim, Dante, calls the solitary lady to the opposite bank of the stream that divides them. She obliges, first dancing in place, then moving toward him so that he can understand her song. But the poetry around her darkens as the pilgrim uses two examples of ill-fated, even tragic, profane love from Ovid’s METAMORPHOSES.

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PURGATORIO, Episode 217. Of Brooks, Solitady Ladies, and Layered Meanings: PURGATORIO, Canto XXVIII, Lines 22 - 42

Our pilgrim walks on into the old-growth forest until he’s stopped by two seemingly small things: a gentle brook that flows to his left and a solitary lady, strolling along and singing on the opposite bank. But the poet is already signaling to us that all may not be as simple as it seems.

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PURGATORIO, Episode 216. Our Pilgrim Let Loose (Again) In A Dark Wood: PURGATORIO, Canto XXVIII, Lines 1 - 21

Our pilgrim is again loose in a dark wood, a forest that’s this time divine and alive. He’s been in places like this at least four times so far in COMEDY. But for now, we’re given naturalistic details from his point of view about the top of Mount Purgatory . . . before everything gets layered in sedimentary meaning that changes the purpose and focus of the poem as a whole.

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PURGATORIO, Episode 215. The Top of the Mount (Page One): A Read-Through of PURGATORIO, CANTOS XXVIII - XXIX

Our pilgrim, Dante, has climbed the last staircase of Mount Purgatory. He’s been crowned and mitered by Virgil and so is free to wander about this unprecedented landscape at the top of the world’s tallest mountain, the closest point humans will ever get to the heavens above.

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