Dante opens PURGATORIO with himself, with the poet, rather than with the pilgrim, his fictional alter ego (who gets the opening bits of INFERNO). Dante expresses his Christian hopes as well as his potentially heterodox theology on the human will. And he offers us a glimpse of both his hubris and his doubts with his third invocation to the muses in COMEDY.
Read MoreWe’ve begun our exploration of Dante’s mountain of Purgatory. A mountain in more than one way! As we stand on the shores, we’ll read the first two cantos in my English translation, then I’ll raise six initial, interpretive questions that we can answer over the course of breaking these cantos into smaller sections.
Read MoreAn introduction to PURGATORIO—not so much to the second portion of Dante’s masterpiece, COMEDY; more, an introduction to how we’re going to climb this beast of a mountain. Also, the five ways I initially read (that is, interpret) PURGATORIO—although I’ll bet they’ll change during our climb.
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